UPTOWN RUMBLE: Bronx Hardcore

In the early ’90s, NYHC bands like Quicksand, with Bronxite Sergio Vega on bass, slowed things down, putting stress on groove and melody while retaining heaviness—a tendency called post-hardcore. Other bands, growing up in the golden age of hip hop, added an explicitly rap-infused approach to the NYHC mix. These kinds of bands also began to focus on the breakdown—slower and very heavy moments in songs that encouraged the development of martial arts dance styles in mosh pits. This kind of hip-hop-styled, breakdown-focused NYHC is known as beatdown hardcore.

A woman with braided hair and a white t-shirt is holding a microphone close to her mouth, singing or speaking passionately. She is surrounded by a crowd of people, some holding phones to record or take pictures. The scene appears lively and emotional.

Above: Puerto Rican Myke, vocalist for District 9, at CBGBs, 2006, courtesy of Michelle Mennona.

Since both tendencies were centered on an intensification of rhythmic elements in NYHC, it is no surprise that some of their early and most unique exemplars came from the Boogie Down. Godfathers of Bronx hardcore District 9 formed in 1994 from an earlier band, Close Call. They effortlessly combined the swagger of hip hop with an aggressive style of hardcore that nevertheless retained tremendous dynamic range. Closely related to District 9 were Fahrenheit 451 (descended from Without A Cause), a band that played in a more post-hardcore style while incorporating the same kind of hip hop swagger and depth of emotion as District 9. Both bands wrote about real struggles in their West Bronx neighborhood. Members of both bands were also responsible for the formation of a local Bronx hardcore scene, helping to organize a series of hardcore shows at Mullaly Skate Park in the mid ’90s, which kick-started more than a dozen new Bronx hardcore bands. Regular hardcore shows began to take place in Bronx apartments and backyards and at local venues like the Train Depot on Williamsbridge Road and the Blackthorn on Bainbridge, as well as at Castle Heights in Queens, a home away from home for Bronx bands like Irate and Billy Club Sandwich. Some newer bands formed the Boogie Down Crew (BDC), which helped promote local shows and coordinated equipment sharing through the late ’90s. In the twenty-first century and beyond, The Bronx Underground, Hydr0punk, La Jungla, and others took up the mantle, introducing new generations of Bronxites to heavy music.

Text on a flyer for an event with a schedule of performances: Bond Street Rampage at 8:00, Backstreet Without a Cause at 8:45, and an additional event at 9:30. The flyer also mentions some rules about no alcoholic beverages, open doors at 6 pm, and the event date is Saturday, June 5, at 6 Bond Street.

Flyer for show at Bond Street in 1993 featuring two Bronx bands: Rampage, which was more metallic in sound, and Without A Cause, the band that Fahrenheit 451 came out of. Bond Street was a fixture for Bronx hardcore and metal bands of the early ’90s, and multiple members of these bands worked at the venue. Courtesy of Rui Correia.

Black and white photo of a group of five young adults, three males and two females, standing closely together against a plain background. They have diverse styles, with some wearing casual clothes including tank tops and a T-shirt, and one person wearing sunglasses. They appear confident and relaxed.

Ray (drums), Loki (bass), Puerto Rican Myke (vocals), Cesar (lead guitar), and Todd (rhythm guitar) of godfathers of Bronx hardcore District 9, from the back cover of their Schoolahardknox EP (Striving for Togetherness, 1995). Uptown Rumble collection, The Bronx County Archives.

A flyer or poster with event details. It features Gothic-style text announcing a performance by Boatmertise in District 9, with information about the venue at Train Depot in Bronx, NY, including date, time, ticket prices, and directions.

Flyer for show at Train Depot on Williamsbridge Road featuring three Bronx bands: Goatamentise, which pioneered death metal with hardcore influences, District 9, godfathers of Bronx hardcore, and Driven By Hatred, whose members were the driving force behind forming the Boogie Down Crew (BDC). Courtesy of Rui Correia.

A black and white photo of five men standing outdoors in front of trees and a chain-link fence. The man in the foreground is wearing a baseball cap, glasses, and a T-shirt that says "PHAT FARM," with his arm hanging loosely and holding a booklet. The other four men are standing in a group behind him, some with arms crossed, looking in different directions.

Bronx band Irate in the late ’90s. Irate emerged in the mid ’90s, at a time when NYHC, and especially its Bronx variety, was at its heaviest, with a style of playing sometimes called “beatdown hardcore.” This style amplifies the consistently metallic direction that NYHC had been taking since the mid-’80s, while adding the swagger and style of hip hop. Irate provided one of the most celebrated examples of this style with their first EP, Burden of a Crumbling Society (1998), before taking their sound in even more metallic and technically proficient directions with 11:34 (2001) and New York Metal (2005). They remain one of the most celebrated bands from the Bronx underground heavy music scene today. Courtesy of Phil Vibez.

Comic-style illustration of armed ninja and martial artist characters engaged in combat, with flying knives and bullets in an explosive background. Overlaid with red text advertising a martial arts event at Billy Club Sandwich, Bronx, NY.

Flyer for a show on March 25, 2006 at Muzic Unlimited on Eastchester Road in The Bronx. Even though the Boogie Down Crew was mostly defunct by this point in time, with many of its bands no longer active, shows continued to take place under its name for multiple years. This particular show featured staples of the scene Billy Club Sandwich, 4 In The Chamber, and Goatamentise. Courtesy of Gary Muttley.

Flyer advertising a free music show on April 22nd at Alfie's Place, Bronx, NY, featuring various band logos and artwork, with the top featuring a sword and the text 'Entourage' in stylized font.

Flyer for a show at Alfie’s Place (RIP) in Throggs Neck celebrating the release of Enziguri’s Uptown Boogie Down (2017), also featuring Bronx hardcore band Crippled Earn and others. Multiple shows took place at Alfie’s Place in the late 2010s, including one that featured Candiria and Billy Club Sandwich. Courtesy of Chucky Brown.